JamaScript
Série de tatouages réalisés sur différents supports
tels que des aliments recouverts de résine ou du papier.
Les tatouages illustreront des phrases, des mots
et des expressions collectées sur Internet,
critiquant la situation précaire des Cubains.
ARRIÈRE
Série d’installations et d’objets qui convergent, un espace-temps manipulé,
une régression sociale, un voyage dans le passé cubain
pour tenter de trouver les failles.
RESTES
Série de photographies et de peintures numériques de paysages urbains cubains où les restes de nourriture et les ingrédients périmés sont insérés.
Les oeuvres jouent avec le concept de l’éphémère et de l’éternel, du nouveau et de l’expiré.
SANS PERMIS DE CONSTRUIRE
Le projet consiste à reconstruire un pays à partir de zéro (CUBA). Il s’agit de créer une analogie entre le concept du foyer et celui de la Nation. Les œuvres seront des installations, des maquettes, des dessins, exposés dans l’espace simulant les étapes de construction d’une maison conventionnelle depuis les fondations jusqu’à son aménagement intérieur.
ALPHA
The ALPHA project initiated in 2022 is a series of digital illustrations printed on a large format support, which appropriates the aesthetics of PNG digital patterns. A PNG image is a computer-generated graphic format where the background is transparent, protected and sometimes free to use.
PARALLEL ( )
PARALLEL is a series of digital illustrations that respond to current human relations issues. This series addresses the difference, opposites and social inequalities, and seeks a link to connect to contemporary times.
I AM FED UP WITH ART
« I AM FED UP WITH ART », started in 2018, proposes a reflection, from a sarcastic, iconoclastic and paradoxical perspective, on the role of the contemporary artist within society and its role against the Art Institution. The works show a sequence of illustrations made under different techniques, manual and numerical, in which the artist himself questions his position as an emerging creator within the contemporary artistic system, desacralizing its conventions and functionin
REALLY, EVERYTHING IS A LIE
Is the result of a work process started in 2016. Under this generic assertion, the work seeks to reflect on the concepts of truthfulness and falsehood existing in contemporary society. In this space, the viewer become an accessory to videos made in Cuba and different European countries. Under themes such as migration, consumption, loneliness and time, the works question the current social metamorphosis. Really, everything is a lie, try to reconcile truth and lies, models of universal manipulation and generate new questions to existing responses.
STATE OF COMA [ , ]
STATE OF COMA [ , ] as a whole shows a process of work begun inside and finished outside of Cuba. The work process starts from the time frozen within the ISLAND concept to reach a freedom of personal conscience.